Then and Now


Ali Akbar Khan Then and Now-- 1996 GRAMMY Nominee

Disc One

Rag Sindhu Bhairavi
Sindhu (Sindhi) Bhairavi can be played in a classical or light classical style. There are many different approaches to this rag in India. The moods of Sindhu Bhairavi are pathos and joy. It is a late morning rag; however, it is commonly played as the last item in an all-night concert. Morning Rag

Rag Pilu or Pilu Baroowa
This rag is a mixture of Pilu and Baroowa. When you show the picture of Baroowa in Pilu it becomes Pilu Baroowa. The beauty of ga is more important in this rag, then comes Ni. You have to focus on ga and Ni in many ways to obtain the beauty. Next is Pa; G m P and N g are the important sections to show the emotions of the rag. The moods created are romance, pathos, and joy. Evening Rag


Disc Two

Rag Hemant
Rag Hemant is a springtime rag and in the spring can be played any time of the day or night. The rest of the year it is specifically an evening rag. In this traditional melody Ma is the main, or King, note and Sa is the minister note. The different moods of Hemant are peace, joy and hope. When the plants, animals, and humans hear this melody their soul will grow healthier. Evening Rag

Rag Hindol-Hem
Rag Hindol-Hem is a melody that Ali Akbar Khan composed and it is played in the Spring and Fall seasons. It is a combination of two already existing ragas: Hindol and Hemant. Its particular beauty comes from the use of both shuddha (natural) and tivra (sharp) Ma. Also, the notes Ga and Dha have very important roles in this ragas' development. The mood of Hindol-Hem is a combination of peace, pathos, joy, and heroism. Evening Rag

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